Posted by Wild4 Photo Safaris on 2nd Sep 2015
Creating panoramic images of Landscapes is a widely used technique - but what about panoramic images of wildlife subjects ?
This is a short article that explains when, how and why you should use this technique if the opportunity to do so arises.
If you are too close to your subject to fit it in the frame with your telephoto lens then this technique can work for you - yes you can move further away or even use a lens with a zoom, but this is not going to achieve the desired effect.
This technique is achieved by taking VERTICAL images of your subject. Start by first taking an out of focus image of the ground ! - this will then alert you later in Lightroom that it is the start of your sequence from which you will build your panoramic image.
Next - take 3 or 4 images of your subject, making sure that a part of the image in your first shot overlaps a part of the image in the next and so on until you have taken all the shots you need - also make sure that you leave space on the left and on the right of the subject.
At the end of the sequence take another out of focus shot of the ground so that you know where your sequence ends.
> In Lightroom CC - select the images you want to use - and then enable the LENS CORRECTION option for the lens you have used.
> then use the "PANORAMA" option in the "PHOTO MERGE" menu - your images will be merged into a panorama.
> ** Note that it is recommended that you take these images in MANUAL MODE to guarantee that all the images have exactly the same EXPOSURE
The main reason for this technique is so that you can create an image of your subject that has a really good "bokeh"... the effect of the "bokeh" is improved because you are closer to your subject. Moving further back would help you fit the animal into your frame without having to create a panoramic image, but the "bokeh" will also be affected and the background will become more distracting.
In photography, bokeh is the aesthetic quality of the blur produced in the out-of-focus parts of an image produced by a lens. - it is a Japanese word meaning "blur" - wikipedia
In this first example I took 4 images as quickly as I could hoping that the subject did not move a significant amount.
1/200 sec @ f4 ISO 400 white balance 5200K - for all images
THE FINAL RESULT:
Just to show the incredible power and versatility of the new lightroom Panorama feature, I created this next example with 3 of the images from EXAMPLE 1 and a single image taken when the Lion yawned.
I had to first modify two of the original images as there was too much of the Lions head in each of these two images.
Here you will see how I cropped off part of the face so as not to make it the prominent feature in the image. My reason for this is beacuse I wanted to insert the yawning image in between the two, and wanted to make the yawning image the most prominent of them all. The Panorama software stitched the images into a panorama of a yawning Lion.
1) I first cropped off the right hand side of the 1st original image
2) I also cropped off a bit of the left hand side of the 3rd original image
3) This image of the Lion yawning replaced original image no 2
4) I did nothing to the original image no 4
THE FINAL RESULT:
The software did an amazing job of stitching together these 4 images into the final yawning shot below:
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I've recently returned from a "Wild 4 Photo Safari" and can recommend them without reservation. Their skill, professionalism and expertise is excelled only by the standard of excellence shown in every aspect of the trip. From the logistics to the accommodation, the food to the transportation, their inside knowledge of African wildlife to their passion for what they do, every aspect SUPERB!! If you are looking for the ultimate "Photo Safari", this is it! I will definitely book again!!!
Del Hunter, UK
We were very lucky to have found the Wild 4 Team when we were able to take a short photographic safari as part of a business trip to Cape Town. So when we could plan a photography trip overseas, naturally we contacted Stu and Justyna. We brought along a good friend who wanted to do her first photo safari. To say the three of us had a blast would be to underestimate the experience. I wonder how many other photographers have been a few feet from a cheetah taking down an impala only to share the kill with a caracal. Other highlights included a rare king cheetah, mating leopards, a den of wild dogs with their pups, photographing and touching a boomslang, green mamba and black mamba, and being surrounded by a herd of elephants. But perhaps the best part of all was being back with friends whom we know and trust. We know a good thing when we experience it. When we are ready for our next African adventure, you can bet we will contact the Wild 4 Team.
Michael & Toni Anderson, USA